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In History and Modern Media, John Mraz largely focuses on Mexican photography and his innovative methodology that examines historical photographs by employing the concepts of genre and functions. He developed this method in extensive work on photojournalism; it is tested here through examining two genres: Indianist imagery as an expression of imperial, neo-colonizing, and decolonizing photography, and progressive photography as embodied in worker...
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Through political and cultural analysis of representations of the so-called war on drugs, Oswaldo Zavala makes the case that the very terms we use to describe drug traffickers are a constructed subterfuge for the real narcos: politicians, corporations, and the military. Though Donald Trump's incendiary comments and monstrous policies on the border revealed the character of a deeply depraved leader, state violence on both sides of the border is nothing...
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The Mexican Transpacific considers the influence of a Japanese ethnic background or lack thereof in the cultural production of several twentieth-and twenty-first-century Mexican authors, performers, and visual artists. Despite Japanese Mexicans' unquestionable influence on Mexico's history and culture and the historical studies recently published on this Nikkei community, the study of its cultural production and therefore its self-definition has been,...
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Toxic Loves, Impossible Futures is an homage to a constellation of women writers, feminists, and creators whose voices draw a map of our current global political-environmental crisis and the interlinked massive violence, enabled by the denigration of life and human relationships. In a world in which "a woman's voice" exists in bodies called on to occupy important positions in corporations, government, and cultural and academic institutions, to work...
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Violence has only increased in Mexico since 2000: 23,000 murders were recorded in 2016, and 29,168 in 2017.
The abundance of laws and constitutional amendments that have cropped up in response are mirrored in Mexico's fragmented cultural production of the same period. Contemporary Mexican literature grapples with this splintered reality through non-linear stories from multiple perspectives, often told through shifts in time. The novels, such as Jorge...
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Mexican independence was, in a sense, an economic event. It was in the realm of the economic that elites managed to create a common ground with non-elites in their demands against foreign domination. Additionally, throughout the nineteenth century, independence was imagined by the lettered men of Mexico as a feat that nationalized, or that could have nationalized, a rich and productive economic apparatus.
“Mexico, Interrupted” investigates the...
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The birth of the world's great megacities is the surest and starkest harbinger of the "urban age" inaugurated in the twentieth century. As the world's urban population achieves majority for the first time in recorded history, theories proliferate on the nature of urban politics, including the shape and quality of urban democracy, the role of urban social and political movements, and the prospects for progressive and emancipatory change from the corridors...
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Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent-both within Mexico and in the United States-since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized...
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This critical anthology of writings by Carlos Monsiváis represents a foundational set of texts by an exceptional (yet under‑translated) Mexican cultural critic. Fatefully, Faithfully Feminist situates the urgencies of social movements as they developed in real time. Spanning from 1973 to 2008, Monsiváis's essays, which were originally compiled by scholar Marta Lamas, analyze the role of women in a patriarchal culture from pre‑Columbian times...
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